Craig Ogden teams up with accordionist Miloš Milivojević to bring an eclectic programme to the Memorial Hall for this late-night performance.
Vivaldi: Concerto in D | Falloni: Felix Tango, Pirotango | Albeniz: Tango, Malagueña (from España) | Boccherini: Introduction and Fandango | Piazzolla: Libertango
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Programme
Concerto Opus No 3 No 9 Antonio Vivaldi arranged by John Williams
Prelude, Fugue & Allegro BWV 998 – J S Bach
Le Depart Napoleón Coste
Choros No 1 Heitor Villa-Lobos
Cielo Abierto Quique Sinesi
Lachrimae Pavane Fantasia No 7 John Dowland
Sonata K380 in E major Domenico Scarlatti
Sonata K322 in A major Domenico Scarlatti
Introduction, Theme & Variations on a theme from Mozart’s opera The Magic Flute Fernando Sor
Tres Piezas Españolas Joaquin Rodrigo
Gala Concert
J. S. Bach Triple concerto in D minor BWV. 1063
W. A. Mozart Sinfonia Concertante K.364 (Grande Sestetto) arr Zhislin
Antonin Dvorak Rondo for cello and orchestra Op.94
Gabriel Fauré Dolly Suite
The Festival draws to a joyous close with a new transcription of Bach’s triple concerto in D minor which puts Craig Ogden, David Gordon and Miloš Milivojević centre stage.
Mozart’s Sinfonia Concertante is one of his first genuine masterpieces. First published in 1802, it became enormously popular in various arrangements, This new version by Yuri Zhislin stays true to the original while sharing out the solo material to produce a concerto for seven players.
Faure’s ever popular Dolly Suite was written for the daughter of his long-term mistress. Originally for two pianos, we are playing the orchestration made by Fauré’s friend, Henri Rabaud.
David Juritz, Fiona McCapra violins
Rachel Byrt viola
Adrian Bradbury cello
Craig Ogden guitar
Veronika Shoot piano
Vladislav Shoot Magic Flight
Franz Schubert Arpeggione Sonata in A minor D. 821
Peter Hope A Dorset Calendar
Gabriel Fauré Piano Quartet No. 1 in C minor Op. 15
Craig Ogden guitar
Adrian Bradbury cello
Bach to Brazil
Heitor Villa-Lobos Cinq Preludes, written for the great Spanish guitarist Segovia, quickly became a central part of any guitarist’s repertoire. Adrian Bradbury plays Bach’s Cello Suite No.5 in C major
Programme includes:
VILLA-LOBOS Chôros No.1 (5’)
JS BACH Prelude, Fugue and Allegro BWV998 (13’)
REINHARDT Nuages (3’)
RODRIGO Tres piezas españolas (12’)
ALBENIZ Torre Bermeja, Sevilla (5’)
Craig Ogden is one of the greatest classical guitarists of our time, whose incredible career over three decades has included a stream of best-selling albums, appearances with the world’s finest orchestras and a constant presence on Classic FM, where he’s long been a favourite artist with the station’s listeners.
This will be a rare opportunity to experience Craig as a soloist up-close in the intimacy of the Crucible Playhouse, performing guitar favourites from Spanish composers Rodrigo and Albeniz alongside the jazz talent of Django Reinhardt. Expect to be amazed by his incredible skills on the guitar, along with his warmth and sense of humour that charms every audience.
A BAROQUE JOURNEY TOWARDS THE GOLDBERG VARIATIONS
DAVID JURITZ violin
CRAIG OGDEN guitar
ADRIAN BRADBURY cello
COPPED HALL is a fine Georgian mansion that is currently under restoration. It is superbly sited on a ridge overlooking its landscaped parkland.
We are delighted to welcome back this internationally famous guitarist, who at his own request, returns for what will undoubtedly be another popular concert. Craig mixes superlative playing with a wide range of music, from Bach to the Beatles.
Musick for a while
The Path Towards the Goldberg Variations
The word baroque is derived from the Portuguese, baroco, meaning ‘a pearl of irregular or bulbous shape’. I wanted, in this programme to explore 150 years of music from that era, a period more diverse than any other apart from our own. I’ve ignored towering figures such as Handel, Vivaldi and Telemann and chosen instead to follow an erratic path across Europe and the British Isles towards one of the music’s great masterpiece, Bach’s Goldberg Variations. David Juritz
David Juritz violin Craig Ogden guitar Adrian Bradbury ’cello
Henry Purcell (1659–1695) Musick for a while
Jean-Philippe Rameau (1683–1764) Hippolyte et Aricie: Ritournelle
Marc-Antoine Charpentier (1643–1704) Sans frayeur dans ce bois
Marin Marais (1656–1728) Les voix humaines
Francois Couperin (1668–1733) La Couperin
Johann Paul von Westhoff (1656–1705) Imitazione delle Campane
Andrea Falconieri (1585/6–1656) Passacalle
Nicola Matteis (c.1650–c.1713) Ground after the Scotch Humour
William Byrd (1539/40–1623) Pavan ‘The Earl of Salisbury’
James Oswald (1710–1769) The Marvel of Peru ‘Comic’
Juan Arañés (died c.1649) Una sarao de la chacona, ‘A La vida bona’
Francesca Caccini (1587–d. after 1641) Ciaccona
Alessandro Marcello (1673–1747) Adagio from Concerto in D minor arr. J. S. Bach BWV 974
Johann Sebastian Bach (1685–1750) Goldberg Variations BWV 988
Aria mit verschiedenen Veränderungen (arr. David Juritz)
Arranged for Violin, Guitar and ‘cello
Spring Concert for Burton Bradstock Festival
Baroque Variations: A Path Towards the Goldbergs
Johann Sebastian Bach (1685-1750) Goldberg Variations BWV988
Aria mit verschiedenen Veränderungen (arranged David Juritz)
Henry Purcell (1659-1695) Music for a while
Jean Philippe Rameau (1683 – 1764) Hippolyte et Aricie: Ritournelle
Marc-Antoine Charpentier (1643 – 1704) Sans frayeur dans ce bois
Marin Marais (1656 – 1728) Les voix humaines
Francois Couperin (1668 – 1733) La Couperin
Johann Paul von Westhoff (1656 – 1705) Imitazione delle Campane
William Byrd (1540-1623) Pavan ’The Earl of Salisbury’
Andrea Falconieri (1585/6–1656) Pascalle
Nicola Matteis (c.1650 – c.1713) Ground after the Scotch Humour
James Oswald (1710–1769) The Marvel of Peru ‘Comic’
Juan Arañés (died c. 1649) Una sarao de la chacona, ‘A La vida bona’
Francesca Caccini (1587 – d. after 1641) Ciaccona
Alessandro Marcello (1673-1747) arr. J S Bach Adagio from Concerto in D minor BWV 974